“A lot of people get copyright and trademarks mixed up,” says sneaker industry professional Kenneth Anand. What is a copyright? A copyright protects an original work of authorship. “Original works of authorship” can include, but are not limited to, architecture, graphics, pictures, sculptures, works of literature, or other types of artistic work.

Examples of Copyrights

Jay-Z would have a copyright on the lyrics that he writes for his songs. He would also have a copyright on the songs themselves, as they are fixed in MP3 or CD format. Artist Daniel Arcam would have a copyright over his paintings, unique Pokemon, and eroded DeLorean sculptures.

Writer George R. R. Martin would have a copyright over his books for “Game of Thrones” and the screenplay for the HBO TV series “Game of Thrones.” These are various examples of the types of copyrights that you can have.

Benefits of Copyrights

“One of the main goals of copyrights is to allow the inventor the ability to reap the benefits of creating the work,” Kenneth Anand explains. This means that whoever owns a copyright has the exclusive right to reproduce, publish, promote, and sell their works of art. In order to obtain a copyright, the work must be fixed in a tangible form. You cannot get a copyright for just an idea.

Obtaining a Copyright

In order to obtain a copyright, your work must follow three basic requirements. First, the work must be original, meaning it must be independently created rather than a copy of something else already existing. Second, it must be creative, meaning that there must be some minimum basis of creativity for the work. Finally, it has to be fixed. Copyrights cannot be ideas or things made up out of your imagination. Instead, they must be fixed in some tangible form. If a work has all three of these elements – original, creative, and fixed – you can obtain a copyright for it.

What types of works can you copyright? As said before, a copyright protects works of authorship, such as songs, books, videos, and other similar creations. You can even get a copyright for fabric patterns, jewelry designs, software, and architectural designs.

Copyrights in the Sneaker Industry

What do copyrights mean for sneakers? Are copyrights even applicable to sneakers? Typically, under US law, you cannot get a copyright for things that are useful articles, like hoodies, shoes, and/or pairs of pants. These are useful articles that are not copyrightable because they are not considered creative, unique, or original. However, there are some ways copyrights can be applied to sneakers.

Many sneaker companies are now turning to copyright law to protect their designs. How? First of all, designs on the side of a sneaker can only be copyrighted if they are separate and distinct from the useful article (the shoe) itself. Kenneth Anand’s former colleagues at adidas, for example, obtained a copyright application and protection for the design of the Yeezy 350 Boost.

“Well, they applied to the copyright review board. And they originally denied their application, because the copyright board said that the designs on the side of the Yeezy were not original, and were not separate from the useful article itself,” recalls Anand. “They were not satisfied with this so they appealed. And ultimately they were able to obtain a copyright application for the design of the 350 Boost, which is the stripe pattern that everybody knows and loves of the 350.”

It took many years and a lot of legal fighting, but Kenneth Anand’s colleagues managed to obtain a copyright. Today, more and more sneaker companies are turning to copyright applications for a cheap and easy way to protect the designs on the side of their sneakers, as long as the designs qualify as copyrightable works.

While sneaker companies are turning to copyright law to protect the patterns and designs on the side of their shoes, copyright law is traditionally used in the sneaker industry in many other ways. “For example, you can copyright your website, photos, or other promotional materials that you create, in relation to the sneakers themselves,” Kenneth Anand continues. “So copyright is useful in many ways to protect a sneakers brand and all of the collateral that goes around building that brand.”

An important thing to note about copyrights is that you must ensure your designs do not infringe on other people’s works. If you do not, you could find yourself in a lawsuit that could take years to resolve and can be quite costly.

Final Thoughts

Sneaker education expert Kenneth Anand highly recommends that you make sure anything that you are creating is original, creative, and fixed in a tangible form. If you meet those three requirements, you will be on your way to obtaining a copyright and protecting your own intellectual property.

Before there were websites and social media channels dedicated to sneakers, you didn’t really see a lot of sneakers in the media. This made it harder to connect with them. Most of the sneaker ads that aired were celebrity-based, linking them to specific releases.

I remember seeing videos of certain shoes like the banned Air Jordan 1. When these sneakers were first released to the public, they were only carried by outlet stores. So naturally, this made them super coveted. Today, those same shoes could sell for thousands of dollars.

Sneaker Industry Chaos

There was this one sneaker video of an outlet store with a large drawn gate in front of it. It was early in the morning, and people were waiting outside of the gate to enter. No official line was formed yet because they had to wait for the gate to open before moving into the plaza area in front of the store. Eventually, security came and opened the gate. As soon as there was a gap underneath the gate, people were on the ground crawling under it.

So as this gate lifted, the crowd emerged from it, and people start sprinting to get to the storefront. They were running as fast as possible to get there and form an official line. This happens every time there is a massive Jordan sneaker release.

The new sneaker releases were always accompanied by these funny local television coverage pieces done by people who don’t actually know what’s going on. So they would fumble around, trying to figure it out as they went, and it rarely made sense.

Let me tell you a little bit about why these shoes are important to you. You see, they have the icy gum bottoms. Just lick them. They are limited editions. These shoes are never coming again.

I remember when the Galaxy Foams were released in Orlando in 2012. There were news teams covering the event with helicopters overhead and cops at the mall, shutting things down. It was pure chaos.

There have been a lot of fights at New York City sneaker stores that have gone viral. With so many people pushing and shoving each other over shoes, eventually, the cops are going to get involved, and the whole event will get shut down. In New York City, Supreme can’t release their Nike collaborations in the store anymore because of moments like these.

Social Media as a Marketing Tool

Meme culture has also contributed to big pop culture sneaker crossover moments. We all remember the Damn Daniel thing with the white vans sneakers.

Damn, Daniel. Damn, Daniel. Damn, Daniel. Back at it again with the white Vans.

The “Damn, Daniel” kid eventually became so popular that he received a free supply of Vans for life. It’s interesting to see how these top-name brands react to these moments. There is a lot of free marketing, and they have to figure out how to best take advantage of it. I remember when all of this was happening, and I emailed Vans to ask if they were doing something about this. They responded that they had a plan. Some people speculate that Vans planned this, themselves, as a marketing strategy. I don’t believe that, but some people do.

This history of sneakers in film and videos really dates back to Spike Lee movies like “Do the Right Thing,” and “She’s Gotta Have It.” Lee helped bring sneaker culture to the forefront of film. There is one iconic scene in the movie “Do The Right Thing” where the character, Buggin Out, is wearing a pair of Air Jordan 4s. During this scene, his sneakers are run over by a passing bicyclist. This moment in the movie is, still to this day, one of the most powerful sneaker scenes in film history.

The famous movie scene not only displayed the Air Jordan 4 sneaker on the big screen, but it also exposed the idea of someone getting angry about their shoe getting scuffed. Afterward, Buggin went home and tried scrubbing out the scuff with a toothbrush. This is a very real feeling that all sneakerheads have felt. Spike Lee was able to bring this emotion to film because it was something he experienced himself.

This exposure led to Spike Lee, Nike, and Jordan forming a longer relationship. They worked together to develop stylized shoe commercials that resembled films. Their partnership was a starting point for sneakers in film and pop culture. After that, sneakers played a significant role in movies like “White Men Can’t Jump,” “Blue Chips,” and “Like Mike.”

If it weren’t for Spike Lee and his movie “Do The Right Thing,” we wouldn’t have the sneaker video content that we have today. Sneakers used to play more of a complementary role to performance, but nowadays, sneakers have become more of a main attraction. There is sneaker video content all over the web, on YouTube, and on Instagram.

Sneaker Industry

Sneakers have always been a big part of sports like basketball. However, these sneakers cater to a specific audience of people already predisposed to them. For example, any basketball fan that saw Michael Jordan wearing Air Jordans already knew about them, even if it was just peripherally.

In “Back to the Future,” Michael J Fox wore a pair of futuristic-looking Nike Macs that were almost the costar of the film. The shoes, and that particular part of the film, were both created by famous Nike designer Tinker Hatfield. This unique project was an excellent opportunity for a man who is creative on many levels to flex in an entirely different lane.

A Shift in Sneaker Culture

This shift in sneaker culture created an area in film and video where people would notice sneakers that they usually wouldn’t. Sneakers are often viewed as just a necessity. Just something that people have to buy their kids every year that often comes with a surprising price tag. But when you see something amazing like the Nike Mac in the movie “Back to the Future,” it raises awareness. Those shoes become so much more than just another piece of a school uniform.

Great Scott!

Sneakers like this have a cultural context to them. They represent this importance to another generation that people may not recognize. The futuristic sneakers designed for the movie “Back to the Future” became the future of shoes in reality when Nike created and sold the light-up, self-lacing shoes based on the film.

The cross-over commercial for Nike’s new Back to the Future-inspired sneakers launched in 2011. In the commercial, the shoe store employee shows the futuristic sneakers to the athlete customer. He’s talking about how the shoes light up when Doc shows up and asks if the sneakers are self-lacing. The employee tells him that they will be adding that feature in 2015.

Sneakers in Television

Popular television series like “The Fresh Prince of Bel-Air” and “Seinfeld: were iconic sitcoms, but they were so much more to sneakerheads. A true sneakerhead will never forget Will Smith, standing in the empty living room wearing his all-white Jordan 11s in the last episode of “The Fresh Prince of Bel-Air” or the episode of Jerry Seinfeld when he put his feet up on the coffee table, revealing his Air Jordan 7s.

These were all vital moments in the sneaker culture, and they happened before the internet was a big thing. Now websites like Complex make lists of the best sneakers aired on hit TV shows, and sneaker brands tell stories around these pop culture moments.

On-court sneaker coverage in the NBA has definitely changed. In the ’90s with Michael Jordan, you had to wait and watch the game and see what they were wearing on TV and kind of squint and try to match what you saw in the sneaker store to what they were wearing on their feet. Now, we have 4K cameras and HD TVs. You can see every detail, and there are a lot more choices in terms of on-court basketball sneakers than there used to be.

There used to be four colors of Air Jordans every year. Now, there are eight colors of Air Jordans that come out a month. Now, there are websites and blogs that are just dedicated to what NBA players are wearing on court. I think it’s changed along with how technology and the internet has evolved. It’s just made everything a lot more accessible.

Building the business of sneaker media is a topic discussed in the sneaker education course.

“Nice Kicks” was, in a way, the Forefathers of the Blog era when it came to sneakers. You know, the blog was the “who, what, where, when, and why” of athletic shoes. Then, when that blog caught on, a lot of other companies were developing blogs. They were predecessors of, “Sneaker News” and “Hypebeast” and, of course, “Complex.” These sites were the original group to kick off the popularity of shoe blogs and online sneaker education.

I remember “Nice Kicks” and “The Shoe Game.” “Sneaker Files” was another of the early ones. These were the first pillars of popular shoe media and sneaker education. However, you’ll remember that I was saying that those blogs didn’t get invited to press trips and press unveilings back in the day. Now, they’re on the priority list for brands.

“Bobbito’s Confessions of a Sneaker Addict” was essentially the first recorded piece of sneaker media. I actually remember talking to Bobbito about this, and I remember him telling me that before his blog, the only way that you could see athletic shoes in the media were during basketball games. He would say that viewers would hope that a player got injured so the camera would shoot a close-up on their feet so they could see what shoes athletes were wearing in the NBA.

That was the first time you saw someone write passionately and knowledgeably about the subject of sneakers, and it was in a legitimate magazine. I think that was really the genesis of all of athletic shoe media. Then, from there, Bobbito went on to write the first book about the sneaker industry, “Where’d You Get Those,” which is, I think, over a decade old now.

That’s the beginning of the print age, and then, SLAM launched “Kicks” magazine, started by Russ Bengtson, and that was the first real magazine dedicated to this type of shoe. That was an offshoot of SLAM.

Then, you have the internet age that came in. Sneaker blogs really started first with forums and message boards like “Nike Talk” and “ISS,” which eventually turned into “Sole Collector.” These forms were kind of like hives of sneakerheads where these people would post leaks or things that blogs pretty much cover now. The difference between forums and message boards was that you could have actual interaction with other people in the community, where opening up a print magazine, you really couldn’t have that.

Now, it’s kind of evolved to web blogging. Those forms and those message boards turned and evolved into actual publications with branding. The heads of these sites could curate the news and things that were covered and then still have a lively comment section where there’s a community of sneakerheads interacting with the content and interacting with each other.

Fast forward to the mid to late 2000s, that era turned into social media and online blogs. Then, even shorter, easier versions of blogging, basically, where everything was in 140 characters or less. Everything could just be as simple as an image with a caption. Through that, you start to see the arc of where sneakers on the internet and how people who are consuming this content grew. None of that would have been possible without “Bobbito’s Confessions of a Sneaker Addict.” That was really the start of everything.

Like everything else in the world, the price of sneakers has consistently gone up over the years. This is due to inflation, but even more so, due to market demands. For example, when the original Air Jordan 1 came out, it cost $65. Nowadays, you are paying around $160 for the same sneaker. That’s almost a $100 price increase that happened over the past 30-plus years for that one shoe.

Sneakers Are Used as a Status Symbol

The price of sneakers used to be viewed as more of a status symbol. The New Balance 990 was the first sneaker on the market to cost over $100, so if you saw people wearing them, you knew they had money. Many drug dealers, specifically in the Philadelphia and Washington DC areas, wanted those sneakers to display their status.

The same thing happened with the Nike Air Foamposite One. They became a status symbol because of their price. They were about $180 when they first came out in the 90s, and they quickly became the known shoe of hustlers. Status is how sneakers and the sneaker culture were given life and why sneakers are more expensive now than ever. Today, there are New Balance sneakers that cost close to $400 and certain Air Jordans that are over $300 a pair.

The price increase of sneakers is also causing the resale market on shoes to go up. It’s not just about the initial price of the sneakers, it’s also about the demand. A pair of Yeezys that retail for $220 can resell for over $1,000. Most people that I know aren’t going to go out and buy a pair of $1,000 shoes, so the cost is almost fictional at this point.

Most ordinary people aren’t paying the $1,000 price tag on resale shoes, but celebrities and rappers are. They buy them outright with cash, or they make trades. They are taking four or five pairs of shoes that they own and trading them all in for one new pair. This is what’s driving the economy on sneakers up. Of course, people are looking to cash in and make as much money as possible on the secondary market, so I don’t see this ending any time soon.

Sneaker Education on the Stages of the Sneaker Economy

There are different stages of the sneaker economy. First, there is wholesale, which is the sneakers’ manufactured price and the cost retail establishments pay to procure the sneakers. Next, there is retail. Retailers are where consumers would buy the sneakers. The retailers can charge whatever cost they want; however, there is a suggested price created by the manufacturer called the MSRP (manufacturer’s suggested retail price.) This price is just a suggestion and does not have to be used by the retailer. Finally, you have the resale economy. In this day and age, sneakers are the most popular on the resale market. This is where a new kind of retailer comes into play, called consignment shops. Consignment shops can include physical stores and also sites like eBay and Amazon.

Resale Market of Sneakers

Consignment shops thrive purely on the resale market because the value is based on popularity and demand versus supply. For example, let’s say a popular sneaker hits retail stores, and only 2,000 were made, but more than 2,000 consumers want them. When these sneakers enter the resale market, they become more valuable due to their rarity and exclusivity. As a result, the value from their box price is going to skyrocket.

If you are going to resell your sneakers, then be prepared to pay out some of the profit because everyone wants a cut. If you are reselling shoes with a consignment shop, they will take 20% of what you make on them. If you are reselling them online using an e-commerce site, which allows you to sell anything, then be prepared to pay sellers fees and such.

Now you have companies that are starting to index the resale value of sneakers that are historically released over time. It’s almost as if we are treating future models of sneakers like current commodities. When you have companies tracking the resale value of sneakers in real-time, it speaks to how the resale sneaker market has come to be worth over one billion dollars.

This sneaker resale market is crazy because, to be quite honest, many of these sneakers are widely available. Some consumers just assume that specific sneakers are going to be hard to get, and it’s this way of thinking that drives the value of the sneakers up. It’s similar to the speculation that goes along with the stock market.

When it comes to sneaker media, hashtags are important, but they’re decreasing in their overall importance as time goes on. The reason I say that is because hashtags used to be a way for you to discover content through the hashtag, but a lot of these social platforms have refocused their own search efforts and made their own search functions on the platform a lot easier to use. As a result, hashtags are less important nowadays, although they are still useful and important in the sense that you do want to follow hashtags that you’re really interested in.

For instance, “what did you wear today”, or WDYWT, has always been a legendary hashtag, even before hashtags were popular, back on sneakers forums like Nike Talk or ISS. These WDYWT posts were always huge because they literally showed you what people were wearing on that day, so that hashtag is always a good one to follow.

Otherwise, things like Sneaker Head, Nike, Adidas, etc. are important to follow if they align with what you’re looking for. Beyond the hashtags, I would suggest just curating and cultivating your timeline so that you have the people and the content that you want to see visible immediately when you open the app, rather than having to dig through hashtags. Even though you can follow hashtags on Instagram, that’s just like following a person, so you want to make sure that you’re curating and cultivating your timeline to have the content that you’re looking for in the first place.

One of the things that people overlook in the whole media landscape is SEO, or search engine optimization. Basically, while I want to create content that the reader can understand easily, I also need to create content that a search engine can understand easily and bring more people to my site. This is kind of a good indicator of how varied your skillset needs to be in this game.

You can’t just be a writer. You can’t just be a photographer. You need to know a little bit about everything. You need to know where to put the keywords. You need to know about what people are actually searching for. You need to know how to write about the shoe. You need to know about the shoes that are coming out and the fact that they’re valuable in terms of traffic and just sitting there waiting for you to make content around them. Overall, there are a lot of things that you need to pay attention to if you want to be successful in sneaker media.

Ultimately, it kind of comes down to the numbers and realizing what your audience actually cares about. We have to think about it on a daily basis. There are certain shoes that I know I care about way more than the people who read our site or the people who follow our brands care about them. In these cases, I kind of have to look at it and ask myself, “are we talking about this shoe too much?” We have to ask ourselves if people in our demographic actually care about it or if it’s just me. This is because ultimately, it needs to be more about what the audience is interested in than what I’m interested in.

Have you considered exploring an online sneaker education? If not, it’s worth thinking about, as it allows you to gain all of the benefits of a good sneaker education without needing anything more than an internet connection and an interest in learning.

Sole Collector Magazine highlighted the sneaker industry in a way nothing had before. It was a quarterly print magazine just dedicated to sneakers that started in the early 2000s. It profiled actual collectors, and you could read about other people who had the same passion as you did.

It’s a website now that highlights new sneaker releases, reviews shoes, and features interviews with people who influence sneaker culture.

Another moment that I feel moved sneaker media forward was Kicks On Court and Celeb Kicks that happened through Nice Kicks, a website all about sneakers. Those became places you could get your internet dose of what players were wearing in the NBA, and what your favorite rapper or entertainer was wearing through paparazzi photos.

Another key moment was probably the show Sneaker Shopping. There was really nothing like that that had existed before. It was the zenith of where we are now with sneaker culture. It started in 2014 and is in its tenth season now.

The show features celebrities who are identifying themselves as sneaker-heads and athletes or entertainers that are identifying themselves as sneaker-heads. You get to see what clothes and sneakers they’re into because you’re actually going on a shopping experience with them.

Another major media moment for sneakers came when Vine was the big thing. Remember the meme about shoes that went: “Officer, I got one question for you. What are those?”

Usually, internet memes come and go. They’re hot for a week and then gone, but that shoe meme felt like it lasted for months. It spawned sneaker podcasts that were named after it. People used the audio from it in their Vines and their posts on Snapchat or Instagram.

Sneaker education has changed along with the media, too. Online sneaker education has replaced a lot of in-person classes and internships.

The media highlights how similar the sneaker industry is now to the way it was 10 or 15 years ago. The media covering the sneaker industry has changed, but what people are looking for and want to be a part of is still the same.

One example is the collector profiles in Sole Collector Magazine. You would open those pages up and read about other collectors who had this same passion for Air Jordans as you did.

Now, instead of looking at a paper magazine, you’re connecting with these people through Facebook in an Air Jordan Facebook group or through the curated people that you follow on Twitter or Instagram.

There are new ways to consume media today, but I think the core tenants of it and why people consume it are still the same.

Gary Warnett, who had his own blog, GWARIZM, passed away last year. He also wrote for sites like Complex, and Crooked Tongues, a forum that went into retail. He wrote for a bunch of brands and was probably the most notable sneaker writer of all time. In the early 2000s, sites like Hype Beast and Highs Nobiliety came up. Sneaker News and Complex really tapped into sneaker media. They started off really bare bones but they’ve become a lot more robust over the years, and now you have a lot of sites getting into sneaker coverage.

Sneaker Education in Media

GQ, the Bleacher Report, and Sports Illustrated are all covering sneakers now. Speaking of Sports Illustrated, they had a revolutionary article published, I believe, in 1990, called “Your Sneakers are Your Life.” It detailed a story in Chicago about a kid getting murdered over a pair of Air Jordans sneakers, and on the cover is a pair of Air Jordan 5s with a bookbag and a gun on them. That moment has always led sneaker journalism, especially from a very mainstream response.

A colleague of mine, Rich, started Kicks in the City, which has been around forever. Rich is a super important dude in the world of sneaker media. He did it all by himself for many years and really killed it. People don’t necessarily give Kicks in the City the credit it deserves, but it was one of the first, if not the first, sneaker blogs. For whatever reason, some other sites did a better job expanding their brand, but Rich was there first.

A little bit after, there was Kicksology. Professor K back in the day. These things all came from the forums. After that, it became commercialized a little bit to where people realized, hey, we can tell these stories and turn it into a business, rather than just a community. Now the game is overrun, and you have a million websites, a million Instagram accounts, a million Twitter accounts that serve this information.

Sneaker Media Evolution for Students in Online Sneaker Education

Back then, it was totally different. You didn’t have as many sources. You didn’t have as many shops taking photos of their sneakers and posting them online. I wasn’t working in sneaker media during that early era, but just looking back on it and seeing the kind of content people were creating, you can tell how different it is. How much they still had to learn. I mean, those things are important, but we’re really on a different level now as far as what we’re thinking about or what we can accomplish or basically how seriously the brands take us.

The Olympics have always been a big opportunity for not only sneaker companies and the sneaker industry, but also for fans of sneakers or sneaker fanatics. You always see a lot of new things in the Olympics. This has been true back as far as the ’30s. One example of Olympic branding opportunities was when Jesse Owens wore Dassler Brother track spikes when he won multiple golds in Nazi Germany. If you look at a lot of Adidas’ classic trainers, you could call them all-purpose trainers, you’d have stuff like the Rome and the Montreal, or the SL72. A lot of those classic trainers are named after either cities where the Olympics were held in. Companies have also used the year the Olympics occurred, in the case of the SL72. Adidas dominated that market for a long time, if for the only reason that they had sort of that grasp on the European market and on doing all-purpose trainers. Nike didn’t exist as Nike until 1972. In starting Nike, Bill Bowerman and Phil Knight got runners wearing the shoes. Steve Prefontaine was a big example. He was an Olympic runner from Oregon. He Died tragically in a car accident when he was in his early 20s. He didn’t even get a chance to run in what would have been hopefully his redemption Olympics. He’s the person on whom Nike based a lot of the ideals of their running business, where he would come out so strong and want to just run everybody into the ground. He would not be able to carry through the line, even though his records did stand for a very, very long time. I believe some of them still do. Later on, if you want to jump ahead, you would get Michael Johnson in 1996 running in gold spikes. That was a big historical event in sneaker education. The gold shoes. There was just something so prideful about that. I was in college at the time having our athlete kick butt on the world stage in our country wearing gold shoes. Nothing said “America” more than that in my mind- his swagger, his dominance, and those shoes were just kind of a perfect combination for saying, “Welcome to the United States, we’re here to kick your butt in track, and we’re going to have the world’s best athletes in the world’s best footwear.” That’s what I really remember distinctly when it comes to shoes in Olympic games. The Olympics is a very important platform for sneaker brands to show off their latest technology. Nike, in particular, always takes advantage of this stage. In 2008, they brought out their lunar cushioning foam. That went on to be an important piece of sneaker technology for the brand for years to come so remember that as you continue your online sneaker education. In 2012, at the Olympics, Nike used that platform to roll out Flyknit, which of course is now a billion-dollar franchise. Nike is the brand that most takes advantage of the Olympics, but of course, everyone wants to be part of this gigantic global sporting moment. I think the amount to which brands want to put their logos on athletes for these types of moments, like the Olympics, shows just how incredibly important it is for them. This is true whether the logo is on the athletes when they walk in or when they’re on the medal stand. There’s a famous story from the 1992 dream team. Michael Jordan didn’t want to show the Reebok logo on his Team USA jacket, so he put the jacket over his shoulder or obscured the logo. This was because he was a Nike athlete, because he is such a huge Nike guy. Nike had paid him so much money up to that point and continues to make him billions of dollars. There was no way he was going to show off a Reebok logo. So if you look at the images from that event from that medal stand, a couple of the Nike guys are very carefully obscuring the logos on their Reebok jackets. You had much of the dream team in ’92 wearing Nikes. It was Michael Jordan in his 7s with the number 9 on the back, Scottie Pippen in the Air Flight Lite, and then even Charles Barkley, David Robinson, and John Stockton all in different Nike inline models done up specifically for the ’92 Olympics. I remember seeing them in stores, and again, that was like innovation, an event marked in a specific time. Unfortunately, with an event, if you bought it right then, you were of the moment. It was perfect, but just for those moments. Six months from then, it didn’t really matter how cool the shoe was. The event was over. In those days, especially in the early ’90s, before retro really became a big thing, it was more important to be in the moment and have whatever the cool shoe was right then. If you are wearing Air Jordan 1s in 1990, that wasn’t necessarily cool. That was sort of saying you’re behind. What are you waiting for? So the Olympics would always mark something and establish it as the new thing, whether it was the Lunar Racer, or the first Hyper Dunk, or the Flyknit Trainer and the Flyknit Racer. It was an opportunity to look at Nike. Adidas did the “made in Germany” Prime Knit for the Olympics, and you know those are very, very hard to find, but the Olympics is still that showcase for new technology and new shoes.

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