Sneaker YouTube is a growing genre where there are several different types of videos and content that are being made. You have higher-end productions like Complex’s “Sneaker Shopping With Joe La Puma,” where he takes celebrity guests to sneaker stores and then interviews them, sees what they purchase, and gets their thoughts on sneakers.

You also have debate shows like the one I’m involved with on Sole Collector called “Full Sized Run.” And you also have a lot of independent creators out there making their own vlog-style content who aren’t attached to any media company. The video might be going through their day, they might have a new pick up they want to show, they may have their thoughts on some sort of sneaker content, or they might even have beef with another sneaker YouTuber. And it’s always usually first-person style following them around the city if they’re on tour if they’re going to a Sneaker Con event, or just what’s going on in their life.

And people really get attached to these personalities. You have guys like Qias Omar, who has a lot of vlogs. You have someone like Jacques Slade, who’s known for his unboxing videos. It’s a true unboxing where he takes boxes and cracks them open right on camera, and you find out what’s there. They don’t let you know in the title what their shoes are, so you get the feeling of suspense.

If you’re in the know about footwear, you probably have a feel for what’s in that box. But for a lot of kids, they get excited. Unboxing videos are huge on YouTube right now. You have people unboxing Disney characters that have tens of millions of views. It may seem like pretty silly content, but there really is some excitement around seeing the unknown and having it revealed in front of you.

We do the unboxing videos. We do the decor content. But we’re also trying to figure out ways to look at things through a different lens. One way is through our game show on Facebook called “Price the Hype,” where we took the format of a similar show on TV (which I won’t name) and injected sneakers into it.

We make up these mini-games where we force a person to actually pretend to buy their shoes with an app we built and then take a photo of their shoes to do a real quick flex. If they do that, they win a challenge. If they don’t win the challenge, maybe we pour chocolate syrup on the $1,000 pair of sneakers that they were trying to get!

There are also some debate and opinion style shows like “Full Size Run” or “Quickstrike,” where it takes on an ESPN “Around the Horn” feel. There are people with opposite views on the same sneaker or sneaker-related topic, and they debate.

Indie Media Creators Hold Brands Accountable

A lot of people accuse sneaker media of being too safe in terms of their relationships with brands and with stores and them being afraid to call people out. We created the show so we could do just that. And some of the people at the brands aren’t happy about it, but we’re glad that we get to speak our voice.

A lot of sneaker media is very objective, and it’s just giving you the straight facts about what’s happening, what’s releasing, how did this release go down, things like that. We’re there to give our own opinions, tell you why we think this shoe was a garbage fire, why we think this shoe is better than other people realize, why this designer messed up, things like that.

There’s a couple of reasons why you need to remain authentic in sneaker media. One is that the brands really need you more than you need them. You’re here to serve the community, not necessarily the brands. I think a lot of people let that slip and don’t realize to what extent they need to be honest with people about exactly what happened. And I understand because it’s a difficult relationship to maintain. If you’re going to tell people how Adidas messed this thing up and you’ve got a contact at Adidas, it makes them look bad. But you’ve got to tell the truth.

Also, you have to think about your authenticity when a brand approaches you with some type of partnership. Maybe you’ve got enough of a social following for them to want you to take a little bit of money to post something on your Instagram.

The first question is, do you actually like that thing? Is that a shoe you would actually wear? The second thing is, is it going to alienate your audience or your followers if you’re on there shilling with a hashtag ad post about how much you like this shoe? I’ve taken money to post things on my Instagram before. I got plenty of hate for it, but it was a shoe I actually liked, and I felt comfortable with it.

Can Social Media Make Money for Creators?

There’s a lot of different ways to get paid off of social media. There’s traditional ad revenue where you’re getting a cut of the ads from YouTube. Influencers might be offered sponsorships where a brand might come in and offer them a nice check to exclusively wear a certain brand in their videos. And there’s a traditional corporate sense, which I fall into, where the company gets the ad revenue, and you get a salary. When I started out as a freelance writer, I was getting paid per story. It may start out as a passion project, but there are different ways to actually pay your bills through sneaker media.

There’s also vlogging, which is a popular format in sneaker media. Take examples like Money Kicks, who is a 16-year-old kid who just happens to have billionaire parents and wild exotic animals at home. You know, he documents how he lives his life. And it could be Fat Joe and Khaled coming by his place to meet his monkey or his lion! Another one that we use at Complex is called “Life at Complex,” where it’s Tony. It’s just his day-to-day life or just things that go on at the Complex office. One aspect is opening the mail that we get from our viewers. We get a lot of really cool promotional packages from a lot of different companies, and not just from sneaker brands.

So, there’s a lot of different formats. There might be one that doesn’t even exist yet. I think the most important part is knowing that there’s going to be an audience for something and doing something that you know will give a unique point of view on footwear that hasn’t been seen before. There are a lot of ways to get into sneaker media. You don’t just have to be a blogger or a YouTuber, which is what most people first think of when they think of sneaker education. You can just run a really good curated Instagram or Snapchat account.

One example that comes to mind is Corgishoe. He’s built a following based on just buying sneakers on clearance and then storing them for years before he sells them on his Instagram. And people will find him, and they’ll say, I remember these. I forgot these existed. He’ll resell them on his Instagram and then delete the photo right after. It’s all about finding a niche or finding a way that is, one, relevant to you and that an audience is looking for.

Our show “Full Sized Run” all started off as a Facebook Live broadcast every week before it got to YouTube and before we had sponsorship money. You look at DJ Khaled’s Jordan partnership. I feel like that started off when he was a real pioneer in using Snapchat first and cultivating an audience.

There are also these super-niche audiences. One guy that comes to mind is Brad Hall. His unboxings are kind of a mix of dry humor and comedy and an actual unique point of view on products. He’s not really taking himself too seriously. The quality of it is almost something that could be seen on Comedy Central. That’s just one example of how you can have a super targeted audience outside of just the Complex’s and the Sole Collectors and the Sneaker News and the Nice Kicks talk.

You cannot talk about the popularity of sneakers without acknowledging their origins as part of the hip hop culture. Since the birth of hip hop in the 70s, sneakers have been the official footwear for the global phenomenon.

Sneakers Represent a Movement

Hip hop and its related elements were all about anti-establishment, youthful expression, and creativity. So it was only natural that sneakers represented that movement when you think about all the places you couldn’t go wearing them. They weren’t allowed in 70s clubs, churches, or restaurants. You couldn’t show up to work wearing sneakers or get married in them.

Sneakers were a marginalizing piece of footwear, but they created a stereotype of what kind of person you were. If you wore sneakers all the time, folks didn’t view you as living up to your full potential in becoming what you aspired to be.

Hip Hop Represented its Own Rules

In the hip hop culture, sneakers were part of the experience of expressing yourself through things like B-boying, graffiti, DJing, and MCing. This experience transformed into the rules that governed being a true hip hop person.

Furthermore, there were rules of originality that manifested through sneakers. These abiding rules still apply today. If my friend and I showed up somewhere wearing the same sneakers, we would have to find a way to make them look different. We would change the laces, use bleach, or spray paint stripes on them. These different methods were being used to ensure that we abided by the original hip hop rules. In the quest to make sure that we lived up to those rules came the birth of customized sneakers. These were created as a basic bonafide everyday way to honor the rules of hip hop. You can never disassociate what sneakers are today from the origins of the hip hop culture.

Run-DMC Recognition

In the early 80s, record labels were signing more hip hop artists, which led to more visibility and served as a reflection and representation of inner-city life. This was a pivotable moment for sneakers.

During the Raising Hell Tour at Madison Square Garden in 1986, Run-DMC performed their song called “My Adidas.” This song was a response to another song called “Fell Into Sneakers,” which was a disparaging song about people who wear sneakers. The lyrics sang about “felony cases committed by brothers with phat shoelaces.”

During Run-DMC’s live performance of “My Adidas,” they requested that concert-goers take their Adidas sneakers off and put them in the air. Some of those attendees were Adidas executives. Thousands of fans in the arena waved their shoes in the air.

The Adidas executives instantly saw the influence that the urban community had on trending and branding long before those words even existed. They saw how powerful the urban community could be when they got behind a particular product.

Shortly after that performance, Adidas gave Run-DMC an endorsement deal. This was huge because it was the first non-athletic endorsement deal by a global sportswear brand, let alone a sneaker company.

This endorsement spoke to the fact that Run-DMC were great ambassadors for what was already happening in the urban communities. Especially in New York, where they represented being from Queens. It also showed that no matter where their worldwide fame and stardom took them, the urban and hip hop aesthetic and rules went with them.

Laces Tied to the Hip Hop Culture

When it comes to sneaker education, you’ll learn that a lot of it is based on making the most of the little that you have. I came from a time when it wasn’t about having the most expensive or most colorful sneakers. It was just about being fresh, which meant that everything you had on was washed and clean. So when you live in a neighborhood where everyone has Bobos, you want to rock my Bobos fresher than everyone else.

For me, it started with the lacing styles. It wasn’t about having the most fly shoes. I was rocking hand-me-downs from my older cousins. We came from pretty humble beginnings, so we were just trying to have fun and be fresh at the same time. At the time, canvas sneakers and light suede basketball sneakers were the most popular. Chuck Taylors, City Brocades, Puma Clydes, and 69ers were more affordable options.

Shells were the opportunity of the day because they were on the higher end of affordable for the people in the hood at the time. But it wasn’t really about how much the sneakers cost; it was about being fresh and staying fresh. I knew dudes that would get a pair of kicks at the beginning of seventh grade, and the same sneakers would still be crispy at the top of eighth grade using just some dishwashing soap and a soft toothbrush.

Sneaker Industry

I think most people think that sneaker culture is primarily an American thing, but it’s spread throughout the world in different ways.

Europe

European sneaker culture evolved to a huge degree during the ’80s and ’90s because they had Adidas. Adidas was huge then, and it remains huge now. Europe also had Terrace culture, soccer stadiums, and football stadiums. People would stand, watching sports matches, wearing general Adidas sneakers. You could almost call them sports shoes. They are made for training. They are made for anything.

Adidas has been turning out sneakers for years. In America, you’d be hard-pressed to tell which year or era a sneaker came from because they all looked very similar. In addition, many new shoes have been reintroduced as retro models. However, Adidas in Europe have more significant distinctions between them, so people who grew up with a specific model have more memory connections with that particular design.

Japan

I think the sneaker culture in Japan took a lot of inspiration from the American market and then hit it back to us. It’s almost like we served it to them before they returned it back to us with a whole lot of backspin on it.

Take a look at resale shops in New York or LA. such as Stadium Goods, Flight Club, or Rif LA. The iconic way that the sneakers are presented — shrinkwrapped on the shelves — is something that came over from Japan.

All of this came from a time when it seemed like Japan almost valued American culture more than we did. I remember a time when people in America were selling Air Jordans to people in Japan because they would pay top dollar for them. I’ve heard stories about people clearing out thrift stores of brands like Nike and Levis then selling them to people in Japan to make a profit. This was during a time when Japan cherished these things more than we did.

The Shift

The exchange with Japan eventually turned back around on America though. Japan started getting limited-edition things that America now wanted. Nike CO-JP program made shoes specifically for the Japanese shoe market. They got their own Dunks, Air Force Ones, and Colorways. These were marketed only in Japan, making them even more coveted here in America.

What started with Japanese consumers desperately wanting things from America turned into products being explicitly made for the Japanese market, then ended with American consumers desperately wanting products from Japan. There are still shoes to this day that are hard to find and highly coveted in America.

Export Sneaker Culture

During your online sneaker education, it’s important to take a look at new sneaker markets that are trying to open. Furthermore, study Nike or Adidas as they expand their markets in America. You’ll see that it’s difficult to expand a market like that at such a high level. Are they able to get American consumers who already own 100 pairs of shoes that they don’t know what to do with to buy even more? Maybe it’s better to open a Chinese or Indian market with billions of potential new consumers. Perhaps it’s better to try and export sneaker culture again and get it going somewhere else in their own way.

I would say that to some degree, sneakers have always been aspirational. Stan Smith would be wearing a pair of tennis shoes, and you might think, wow, I could get the same pair of shoes as the guy who won Wimbledon. Then there’s also Eric Jordan being its own thing. But if you look at a show like MTV Cribs, that kind of brought it all together.

Before MTV Cribs, you would see a celebrity in whatever his or her role was, whether it be a rapper, or actor, or athlete, and you’d see bits and pieces of it. Maybe you would know what car they drove, or you’d see a picture of their house, but that show kind of brought everything together. Suddenly it was like, you would see the same person who owned a Rolls Royce or Ferrari, and a huge pool, and a 600-bedroom house with an entire closet dedicated to their sneakers.

That was the first time you really got to see inside a rapper or celebrity’s sneaker closet. Or, if you’re a sneaker-head, you probably remember the rapper Fat Joe opening up his crates of white Blanco Y Blanco Air Force Ones and licking the soles of them. And then there were just these moments when they’d go into the closets of celebrities, you would know who was really into shoes and who wasn’t.

Probably the biggest one was Fat Joe licking the bottom of his sneakers, which a lot of people then imitated to a degree. Hopefully, they didn’t lick their shoes for real, because as someone who’s been around plenty of pairs of new and old sneakers, I would not recommend it, as they definitely don’t taste very good.

Overall, though, it gave it all context. It showed you how important shoes were in relation to a lot of other things in their lives. Maybe someone didn’t have a t-shirt closet or a video game closet, but they would have a sneaker closet. They would have a room dedicated to their shoes. Maybe your parents didn’t quite get it but seeing that could have been something that helped clue them in. They could see that even if their kids made millions of dollars someday, they would still love sneakers.

If you have an interest in learning more about the sneaker industry or media, give online sneaker education a try. If you have an interest in a sneaker education, there’s no reason why you can’t get started learning right away.

One popular trend in sneaker culture right now is unboxing videos. And the best unboxing videos are the ones that are the most creative, whether it be camera angles or the suspense of what’s going to be shown, or if it’s just that the product is such an amazing one that people need to see it. Those are a few of the things that make a good unboxing video. However, what also makes a good unboxing video is a good host. Someone who can interject humor into their own personality in a way that adds to the product. When the host is able to do that, it gives you a real reason to want to watch it.

For the most part, people are unboxing all of the same stuff. One of the biggest criticisms about sneaker media in general is that oftentimes, the hosts aren’t as informed as maybe they should be. They don’t necessarily take the time to do the research before getting on camera, but they’re still making statements without really knowing what they’re talking about.

So, if you’re going to make an unboxing video, or any type of sneaker YouTube video, you should go into it with an informed opinion, and probably already have an idea of the things that you’re going to say. Or, at least talk about a subject that you feel confident giving factual information about. This is a good idea because if you’re going to have potentially hundreds of thousands of people watching it, you don’t want to be giving them the wrong info.

There are thousands of sneaker-related Instagram and Twitter accounts out there that you can follow. But which ones are actually worth spending your time on? Well, it kind of depends what it is that you’re looking for. The brand accounts are kind of obvious because they’re going to end up in your feed regardless. Usually, it’s best to look for the accounts that can give you something you aren’t seeing elsewhere.

There are a lot of good resellers to follow. There are guys like @solestreetsneakerco in New York who sometimes have some good information before the official accounts really do. Vintage sellers are also worth following too because they show you a lot of history that you don’t necessarily see on regular sneaker websites. A couple of these are Gusto in Japan or Doggsfoot. They come out with posts showing crazy pairs that you totally forgot about, or didn’t even know existed.

Leaker accounts are also good to follow because they’ll show you what’s coming out way ahead of time. Some of these accounts, like @pinoe77 can help give you an idea of what’s going on behind the scenes in the sneaker industry.

Hashtags are important because they’re a fun way to talk to others in the sneaker community and create little moments around what people are discussing. We use them a lot on our show “Full Size Run,” just to reference moments that we’ve talked about before or reference the hashtag “team early.” That’s the hashtag that someone might post on Twitter or Instagram when they want to show off about getting a new pair of sneakers a couple of weeks ahead of time.

These are just a few of the ways that people in the sneaker industry and community use social media to interact and share information. And it’s great to see how the advancement of technology can really help grow these kinds of communities.

Online sneaker education allows you to learn more about how the sneaker industry and community have changed and evolved, and it’s the perfect way to get your sneaker education with nothing more than an internet connection.