Alternative Distribution and the Future of Film & Television: Theaters: Our Once and Future Temples

What does the future of cinema hold? I have often been beaten up over the last 10 years. Therefore, I’ll be very shy to say what I ought to say. You know my guess. I can tell you what I hope it will be, because we’re witnessing a television take over, streaming services take over the theater business unless you’re a big tent-pole movie.
We need to think about what we want for the theater industry in the future. The streaming television industry is booming because they produce great and digestible content, a user-friendly format, great funding, and plenty of resources. These factors negatively impact the film and television industry, which makes it difficult for traditional theaters to sustain their industry in the future.
I believe in the theater. I believe in human nature working as a society. However, we must employ the mentality of a ritualistic temple to maintain human nature in society. I refer to it as a temple because many of us don’t attend a physical church or a temple anymore.
We need to go to the movie theater. I’m not hallucinating. We, as a group, go to a place, preferably a dark house. We’ll speak freely, a heart-to-heart communication so that we enter an abstract world, forgetting reality. But you get down to the truth. I think that’s something. When you walk out, life is different. You are inspired.
It’s more than entertainment—it’s spiritual as well. I don’t see how you can get the same effect sitting at home watching television, going to the bathroom, and resume watching. It’s different. I think of the ritualistic event presented in a black box, where you’re sitting as a group, as a congregation. I think from day one in the cave; the cavemen spoke of how to hunt lions over a campfire. People become absorbed into storytelling and togetherness.
I still believe in the theater. However, I think it needs an upgrade. It’s hard to compete with television. If you want people to schlep into a big place, but have safety issues, then at some point it will cease to be. I don’t know how much theater can survive. Everybody’s going through a difficult time.
My thoughts are immersive, so we can experience with a group of people. You’re inside a movie instead of watching it from outside. The movie has its own language, 2D film, whatever, but it’s something bigger than life, with fine quality. Like when I was young, and I’d see a Hollywood make a movie.
No matter what they do, we go see it. You have a choice in this. Those days are probably harder to get back. It’ll be taken away by television, and unfortunately, sometimes iPhones. But in theater, you must make something good, very special. And some of them will be immersive.

“So I Could…” | Frances D. Barth

Play Video

Name: Frances D. Barth        Course: Film/TV Industry Essentials

In an engaging interview, Film/TV student Frances D. Barth shares insights into his transformative experience with the Film/TV Industry Essentials program as part of the #SoICould campaign. Discover how this course broadened his perspective on the film industry, equipped him for independent filmmaking, and opened doors to professional growth in marketing and distribution.

Q: I enrolled in Film/TV Essentials so I could…
A: Learn other aspects of the film industry that I was not aware of.

Q: Where are you working now?
A: In my studio.

Q: How did the course prepare you for working in the film and TV industry?
A: I’m an indy filmmaker and 75 years old-so I wasn’t focused on fitting into an industry, but to be better in all aspects of my filmmaking. Right away I understood I need to go back to my most recent film, Dreaming Tango, which has played many festivals but I need to further develop aspects of the press kit, marketing and attempt distribution past film festivals.

Q: How did the partnership with NYU for Film and TV Industry Essentials affect your choice to take the program?
A: It was the main reason I was interested.

Q: What is your biggest takeaway from this program?
A: I have a much better practical understanding of all aspects of filmmaking-especially regarding marketing and distribution and levels to aspire to professionally.

Q: What assignment, course, and/or instructor sticks out in your mind or taught you something valuable?
A: They all did-most of them were from the NYU school. Each offered really important information and concepts.

Q: What would you say to a friend about Film/TV Industry Essentials?
A: I think it’s great for someone who knows much of this already, but I would think intimidating for anyone who isn’t used to technology already.

Q: Why did you think the course was right for you when you enrolled?
A: I wanted a broadly scoped project on film/tv. I have taken many single CE classes and I thought this would be very helpful as I’m about to tackle a feature film.

 

If you’re passionate about the film industry and eager to explore new possibilities, we invite you to check out our  Film/TV Industry Essentials course and feel free to check out our wide range of other exciting courses. Embrace the spirit of exploration and growth with Yellowbrick – your gateway to a world of endless opportunities.

Lights, Camera, Action! NYU Tisch, IndieWire, Rolling Stone x Yellowbrick Launch TV and Film Industry Essentials

Yellowbrick, in collaboration with New York University Tisch School of the Arts, and Penske Media Corporation’s IndieWire and Rolling Stone, today announced the launch of Film and TV Industry Essentials, an online program that will cover multiple, interlacing roles and careers within the $100 billion Film & Television industry.

Program contributors represent a wide array of talent, specialties, and leadership from across the film and television community. Participants include Judd Apatow,  film director, producer, screenwriter, and founder of Apatow Productions; and Academy Award-winning director and NYU Tisch alumnus Ang Lee. Joining these two directing giants are Emmy-nominated Directors Sam Pollard (also with NYU Tisch) and Alfonso Gomez-Rejon; television writer/producers Yahlin Chen (The Handmaid’s Tale), Kevin Bray (Black-ish, Insecure); Rob Dubbin, former Late Show and Colbert Report writer and co-founder (with Stephen Colbert) of the remote script-writing platform, Scripto; NYU Tisch faculty David Irving, Caran Hartsfield, Alrick Brown, Harry Winer, Janet Grillo, Thomas Mangan; and many others. 

The program will help aspiring directors, producers, writers, and entertainment executives better understand their own aptitudes, demonstrate knowledge, and explore career paths. Upon finishing the program, learners will receive a completion certificate from NYU Tisch. 

“Film has the power to critique, inspire, interpret, and bring to life a range of critical perspectives. At NYU Tisch, we mentor young artists in the traditions and innovations of the rapidly-shifting media landscape; equipping them with the tools to hone their craft in visual storytelling, discover their individual voices, and develop conviction in the unique stories they have to tell,” said Dean Allyson Green, NYU Tisch School of the Arts. “This program will open up the knowledge and mentorship—provided by our outstanding faculty and alumni—that NYU Tisch is renowned for, in order to help aspiring filmmakers gain insight into the evolving film and television industry and discover how they can apply their unique talents.” 

Because of the course’s accessibility and Yellowbrick’s proven track record of attracting learners from diverse backgrounds, Film and TV Industry Essentials will likely draw in talent that may not have otherwise found routes into the industry.

“Given the complexity of this industry, even the most ardent Film and Television fans aren’t always aware of career paths they might be great for, and if they lack certain resources or connections they might never find out,” said Rob Kingyens, President and CEO of Yellowbrick. “We’re delighted to work with NYU Tisch School of the Arts – one of the world’s leading schools in this area – and Rolling Stone and IndieWire – leading media brands – to educate ambitious learners on what this industry has to offer them.”

The course will take learners through the rich histories of both Film and Television; exploring theories, genres, criticism, and cultural influences and impacts. From there, the program modules will delve into the development of productions – scripting, storyboarding, casting, visual story structure, and more – and then into all the vital elements of preproduction, production, and postproduction. 

Students will learn the roles and mechanics behind creative aspects like editing, sound, scoring, and visual effects; as well as business concepts such as film finance, studio management, talent representation, clearance and copyright, and more. Finally, learners will explore the intricate processes that put finished entertainment products in front of the public; examining film and television marketing, sales, publicity, alternative distribution, streaming, and more. 

“We’re excited to bring Rolling Stone’s dedication and expertise in entertainment to NYU in partnership with Yellowbrick and IndieWire with this online course,” said Gus Wenner, President and COO of Rolling Stone. “Giving our readers the opportunity to gain insight into the career fields they’re passionate about is another way Rolling Stone is providing fans with more of what they love.”

“IndieWire is proud to work with Yellowbrick, Rolling Stone, and NYU on this exciting new online course,” said Dana Harris-Bridson, Editor-In-Chief of IndieWire. “It’s a great way to show our passionate audience of film and TV fans how they can become a part of the industry they love.”

All course materials and instruction will be provided online, meaning students can fit the program assignments into their daily lives – offering the kind of flexibility needed right now during the pandemic. The course content itself is also optimized for the “new normal” of the entertainment industry, teaching techniques and strategies for handling projects remotely across the industry. 

The way the program content itself was shot and constructed is an example of this of-the-moment approach: Yellowbrick created a “contactless” recording experience to capture interviews. A first for Yellowbrick, the team developed this process using technology provided by OpenReel, a New York-based platform that enables footage to be directed and filmed remotely. 

Visit Yellowbrick.co/film to sign up now for an exclusive preview of the program. The first group of students will be admitted in September.