For the record, I cannot stand the term “sneakerhead” because I feel like it defines someone as only being into sneakers. In addition, the term tends to draw direct associations to negative terms like crackheads. I prefer to use words like sneaker aficionado or sneaker lover instead of sneakerhead. Although I love sneakers, I have never been addicted to them. I have never put sneakers above and beyond everything else.

The term “sneakerhead” has been adopted by large companies and the mainstream media. It’s also often used by people who aren’t super passionate about sneakers to describe others who are. It’s an easy phrase to describe someone that is really into sneakers.

Sneakers Bring People Together

Sharing a love for sneakers is a great way to create a bond between people, but it’s not the only thing that matters. There are many other aspects outside of sneakers that draw people together. The sneakers may be the initial common bond that can put people in a room together, but their conversations and other interests keep the bonds alive.

The term “sneakerhead” is fitting as a quick and easy definition of someone that loves shoes, but it does not explain the full meaning of the word. It’s not an accurate description of what really takes place among the people in the sneaker community. There’s also camaraderie, friendship, and kinship. There are stories being exchanged between sneaker lovers of all kinds. There’s an entire culture.

I have sneakers in my closet from countries all over the world. These are from countries I’ve never even visited. They were sent to me by friends that live there. Friends that I made while they were visiting the States. We bonded over our love of sneakers. This is an example of the global phenomenon and kinship that the word sneakerhead doesn’t fully encompass.

Sneaker Industry

There are so many different ways to describe what a sneakerhead is. I can think of at least three or four versions.

First, there are the Hypebeast Sneakerheads. These are the sneaker lovers that are out to buy the latest in everything. And they are buying these things because of the hype or the influences. Many of the influences come from musical artists. They are buying the next Yeezys because Kanye is wearing them or Pumas because Pharell is wearing them. They choose the sneakers they buy based on association, not on the design of the shoe.

Then you have the OG sneakerheads. These are the true shoe-collecting sneakerheads. They are the people buying the Stan Smiths, the never-worn first-edition Air Jordans, and the ripped-up 80s Jordans used for playing pickup basketball back in the day. These are the sneakerheads that appreciate the history of the brands like Pony. They want to be a part of that big-city culture in places like New York or LA.

Next, there are sneakerheads like me. I’m more interested in the design aspect of sneakers. This is partly because I am a designer myself. There are different aspects and elements that go into the design of a sneaker. I want to know how they can evolve, I want to know how to keep them relevant, and I want to know how to put new technology into them.

Finally, you have the new-age sneakerheads. These are the people that initiate the influences that shoes have on buyers. These are the kids that basically create the trends for everything. They are essentially hypebeasts without even realizing it.

Sneaker Culture

Ultimately, I think that a sneakerhead is just someone who really cares about footwear. They care about all things related to sneakers. They like the stories, the history, and the scene.
They want to know what’s happening and where it’s going.

I’m still not a huge fan of the word sneakerhead because it’s been so diluted by companies and people looking to make money off the term. It’s an easy shortcut to explain to people what you are into, but I don’t personally like to define myself that way. Sneakerhead typically refers to people who care about the stuff and want to spend their free time dedicated to it.

I work in sneakers, and I can’t really ever turn that off. On the weekends, I’m still thinking about sneakers or reading about sneakers. I’m still texting my friends about what sneakers are coming out, sneaker reviews, or how specific brands are being presented. So basically, being a sneakerhead is just this idea that’s always in the back of your head, and it frames the way you look at the world.

After learning about trademark law, copyright law, and patent law, another important part of sneaker education is learning about trade secrets. So what is a trade secret and how is it protected?

A trade secret is a business method, customer list, pattern, idea, or some other non-public piece of information that a company will go through great lengths to protect. Trade secrets are important because companies work tirelessly to develop independent ways of doing business and to create a special product or a process, and they need to protect these items. The information is used in business to create an opportunity to obtain an economic advantage over competitors that don’t have that information. A really famous example of a trade secret is the secret ingredients in Coca-Cola’s recipe.

How Do Trade Secrets Apply to the Sneaker Industry?

Companies like sneaker companies go to great lengths to protect their trade secrets. In 2014, trade secrets were a topic at the highest level when three former employees left Nike to join Adidas. These gentlemen left and allegedly took with them information relating to various aspects of the Nike brand, including their processes of making sneakers and other confidential information about marketing, promotion, and many things that we discuss in our book about the business side.

As soon as these three gentlemen announced that they were leaving Nike to join Adidas, Nike filed a lawsuit. In it, they alleged that these gentlemen were taking specific confidential information, otherwise known as trade secrets, and using it for their benefit and for the benefit of Adidas. In its complaint, Nike asked for damages of over $10 million, claiming that this information was extremely sensitive and highly valuable to their brand. The case ended up settling out of court. But eventually, these gentlemen made their way over to Adidas, soo it was worked out. But it just goes to show you the extreme lengths and costs that companies will go through to protect their trade secret information.

Because trade secrets are so sensitive, it’s hard to know which companies have what information. But companies spend a lot of money on research and development to create trade secrets and to gain an economic advantage over their competitors.

How Does a Company Protect Its Trade Secrets?

One method that companies use to protect their information is by having employees that come into the company sign NDAs. NDAs are “non-disclosure agreements,” and they protect exactly what trade secrets are, confidential information such as data, customer lists, processes, patterns, and other sensitive and highly valuable information. NDAs are useful. But they don’t always work because many employees leave, and they go and use the information elsewhere. Sometimes, it’s hard to prove that an employee has breached an NDA. So they’re used to create a chilling effect to make sure that employees know that there will be a liability if they disclose the information that they obtained through their relationship with the employer.

Another way that companies can protect their trade secrets is through restrictive covenants in their employment agreements. We’re not going to get into much detail on restrictive covenants in this module. But when an employee joins a company, the company will sometimes ask an employee to waive certain rights and to abide by certain restrictive covenants. So if an employee comes to a company and then leaves, they may be asked, for a certain period of time, to not work for a competitor, to not disclose confidential information about the company, and to not solicit other employees that have worked for the company. These are what are called restrictive covenants. They’re methods and tools that companies use to protect their trade secrets through employment agreements.

Another way that companies can protect their trade secrets is by filing a lawsuit. This is, obviously, the most final and nuclear option in the trade secret protection ladder, but this is sometimes the last and best option when sensitive trade secrets are at stake. A company can bring a lawsuit against an employee or another corporation that it believes has stolen their trade secrets, and through litigation, they can try to work out protecting that information, stopping the dissemination of the confidential information, and, in some cases, returning the confidential information and trade secrets back to the company.

Now that we’ve covered trade secrets, we’ve really gone through all of the main facets of intellectual property law. We’ve covered trademarks, copyrights, patents, and trade secrets. After learning these basics of intellectual property, we can then move on to our next section, which is the law of sneakers and the more practical side of the business, which we call “The Art Of The Sneaker Deal.”

When you speak about the merge between sneakers and sports, there’s no greater influence than Michael Jordan. One of the most compelling issues revolving around Michael Jordan and sneakers was when the NBA banned his sneakers for having too much black on them in 1985. This was a story that really tapped into the heartstrings of urban sneaker consumers.

Questions were asked about the issues of the sneakers. What was wrong with the coloring of the sneakers? What rules were being violated by having a lot of black on the sneaker? The unbelievable answer was that there wasn’t any white on them.

The Racial Tensions Were High in New York for the Sneaker Industry

Now you have the perfect storm of events with a whole lot of tension behind a whole lot of racial situations. You have this symbolism of the best player in the NBA, at the time, being told that his shoes had too much black on them and that he would be fined if he continued to wear them. The emotion in this controversial issue created a great marketing story for sneaker consumers.

On September 15th, Nike created a revolutionary new basketball shoe. On October 18th, the NBA threw the shoes out of the game. Fortunately, the NBA can’t stop you from wearing Nike’s Air Jordans.

Michael Jordan Was the Greatest Influence on Sneakers in Sports

At the time and up until Michael Jordan ended his career of being the best basketball player in the world, a new-wave phenomenon of sneakers became insanely popular. So here you have, arguably, the most important athlete of all times. He did everything. From an athletic standpoint, there is still no better player in the game of basketball. Everyone wanted to be like Mike on the basketball court. But in his younger days, Mike was also very fashionable. He wore Nike sweatsuits and rocked gold chains.

Michael Jordan helped transcend sneakers, the sneaker culture, and sneakers as a fashion object. The sneakers were so beautiful that people wanted to wear them off the basketball court and into the streets. People were wearing Jordans a hell of a lot more in the streets than they were on the basketball court. So Michael Jordan was everything when it came to sneakers.

Michael Jordan hasn’t played a professional game of basketball in decades now, but Air Jordans are still the number one talked about sneakers. They are still the number one sneakers that people line up and camp outside for. Jordans aren’t really used for basketball anymore. They rarely were back in the day, but they are even less now. Jordans have become more of a fashion product these days.

Sneaker Culture Fueled by Celebrities on Social Media

Celebrities are a significant influence in the sneaker culture. You see a lot of the sneakers they are wearing, especially on their personal social media accounts. For example, you see Lebron James taking lots of photos of his shoes and posting them on his Instagram Stories. He posts a lot of pictures of his shoes, and you notice that he has better sneakers than everyone else does. It’s a place for him to show off his sneakers, but it’s also his cosign, and this marketing tactic works. Kids are going to see his posts and want his sneakers.

Nowadays, athletes who play sports aren’t as influential in footwear as they used to be. However, we are in a place now where people are more interested in what the athletes are wearing before the game than what they are wearing on the court. If Kevin Durant or Russell Westbrook wear a pair of Virgil Abloh Air Jordan 1s before the game, then that’s what everyone is going to notice. Fans and consumers may not be buying as many signature on-court sneakers anymore, but it’s those off-court moments that express their true personalities.

Every celebrity on social media these days feels like a sneakerhead. Sneakers make people feel good, whether they are rich or not. When you have new shoes, and that new shoe feeling, you kind of want to show them off to the world.

Sneaker media now is about a lot more than just writing about when the shoe is coming out and which stores will carry it. You have to figure out what people in the scene care about. You have to create video content that can kind of give your own spin on that shoe beyond the objective facts around how much it is and how limited it’s going to be.

Sneaker education, and particularly online sneaker education, have opened up the world of sneaker design and media to more people around the world than ever before. There are just so many more voices out there.

It’s also interesting because now, brands are kind of competing with sneaker media. When sneaker blogs first came about, brands and the sneaker industry in general hadn’t really figured out how to tell their own stories around shoes, so they had to rely on websites like Sneaker News or Complex to tell those stories for them.

Now, the brands have their own ways of telling these stories and are increasingly more interested in doing so because they can control those narratives and they can create them on their own terms. There’s a little bit of a push-and-pull now in that relationship because brands would rather tell the stories themselves in a lot of instances.

Sneaker media is something that evolved as a reaction to sneaker culture. I feel like you had people who were super interested in sneakers. You could see that in something as simple as basketball.

Not to make Michael Jordan an example of everything, but Air Jordan, to some people, was as big a deal as Michael Jordan himself. Regular media, whether it’s newspapers or even magazines, were sort of slow to pick up on that. You would maybe get a photo of a sneaker somewhere.

I believe it was in 1987 that Sports Illustrated wrote a little column next to a piece on Michael Jordan about the Air Jordan 2. That was a huge moment and something that I cut out. I think I still have it somewhere because it was a whole thing specifically on the shoe.

This is off-topic a little bit, but that was the attainable part of Michael Jordan’s sort of magic. It’s like you couldn’t literally be Michael Jordan, but you could wear the same shoes he did. To find something you could read about that shoe was really special back then.

This was even before Bobitto wrote his piece in The Source. That piece took this thing that a lot of people were interested in, and one person who knew a lot about it talked about it. That made a lot of people realize, “Hey, I’m not alone in this.” I think we all had friends we talked about sneakers with, but knowing it could be this thing was super important.

I remember when I was writing to SLAM to try and write for them. One of the reasons I wanted to is because I knew the first Air Jordan Retros were coming out in 1994 or 1995, probably because they were in a magazine. I forget who mentioned it. But I wanted to write about them somewhere, and SLAM seemed like the place I would be able to do that.

Sneaker media before that was a very service-oriented thing, whether it would be Consumer Reports talking about something or specifically running magazines. I think those magazines probably don’t get enough credit. Magazines like Runner’s World talk about running shoes, but as a tool. They’re not talking about it as if it’s cool because it has this visible airbag. It’s like, “No, we ran in this for 500 miles, and here’s what we liked about it, and here’s what we didn’t.”

Since then, obviously, it’s blown up everywhere. Bobbito did a sneaker show on ESPN. You had web-based sneaker shows even just in the Complex network, whether it’s Full Size Run or Joe La Puma doing Sneaker Shopping or DJ Clark Kent and me doing Quickstrike, which predated a lot of those things.

It was a matter of knowing an audience is out there and convincing someone to take the chance on you to serve that audience. I think that’s the most important part — the audience was there, and the interest was there. The audience just needed that product to serve them, and it grew up around them.

If you’re looking for a career in sneaker media, first and foremost, you have to know about sneakers. That might seem obvious. But there are many experienced, knowledgeable people in sneaker media nowadays. If you don’t know what you’re talking about, we will know pretty quickly, and you will not last. It’s that simple.

You need to be passionate about your sneaker education. This is not a field that you can just walk into without knowing what you’re talking about. Sneakers can be two different types of products. If you’re wearing them on the court, on the field, or for any athletic activity, they’re performance products. But if you’re not, they’re fashion products. You’ve got to look at it that way.

If you’re getting into the content business, you need to know how to write. You need to know how to speak. If you want to be on camera, you have to know how to hold yourself on camera. You have to know how to interview people. You need to know how to use a camera, edit, and set up a shoot.

It’s no different from any other content creation angle or subject. Any skill that you would get from a media curriculum at any reputable college or university will get you where you need to be. But in order to get over the hump, you have to know your sneakers, and that’s where online sneaker education comes in.

Sneakerhead culture has significantly grown since the 1980’s. As music and sports embraced sneakers, the industry’s influence on shaping the identity of its consumers has been visible. Whether it’s repping you’re hometown or your favorite sports team, sneakers have emerged as an visual way to express who you are. Russ Bengtson, sneaker writer and editor, spoke to Yellowbrick about how sneakerheads have found identity through sneakers.

Sneakerhead Locale

“There has always been a bit of a split between East Coast and West Coast when it comes to sneakers. I grew up on Long Island in New York,” says Bengtson. “There has always been a lot of overlap between the two coasts, but you had shoes like the Chuck Taylors and the Nike Cortez that really make an impact on the West Coast.”

“The East Coast — especially New York — is different because a lot of people don’t have cars. Instead, your sneakers would really be where your status would come from. Maybe in California, you would get away with other things because you had a car. Your car would be your status,” Bengtson continued. “In New York, your shoes are your status. In this area, you’re dealing with subways and crowded streets. You gain respect from making sure your shoes don’t get stepped on and making sure your shoes don’t get taken. This doesn’t happen as often as it used to, but it was something significant. Shoes were something you’d protect and place quite a bit of value on.”

Team Love

“Before we talk about people, we have to talk about basketball programs, team colors, certain athletes being on certain teams, and how those things affect sneaker culture,” says Bengtson. “You would want powder blue Uptowns (Nike Air Force 1’s) because North Carolina was crushing teams. This was before the golden era, when everybody was rocking the starter jacket and the jersey, before the Mitchell & Ness phenomenon,” he explains. “Going back to my childhood, it was about watching North Carolina and Duke, watching UCLA, wearing the powder blue and maize, or any other colorway. It was about Boston College, wearing the burgundy and mustard.”

Although individual endorsements weren’t popular during this time, it was standard practice for college teams to have endorsements deals. As a result, teams and brands were closely affiliated. “North Carolina had the weapons and all of the emerging styles under Converse. Georgetown had the Hoya Nikes — the midnight blue with the smoke gray,” recalls Bengtson. “With college basketball teams, you had the particular colors of their uniforms all the way to brand Jordan. All of a sudden, you had these college teams’ colors on everybody’s feet around the way.”

The Price of Being a Sneakerhead

“When sneakers would get popular, it wasn’t always just because of who was wearing them. In some cases, it would even be about how expensive they were,” Bengtson remembers. “You can look at something like the Adidas Forum, which didn’t have any player associated with it. Players wore it, but it wasn’t necessarily a signature model. However, people still wanted it because of how expensive it was.”

For sneakerheads, price and exclusivity adds to allure. “A lot of these brands that didn’t necessarily make a lot of noise in other spaces were able to have an impact because of the price tag and because of the status that the shoe gave you, says Bengtson. “When it really comes down to it, in a lot of places, the sneakers you wear are a lot more meaningful than just being a pair of shoes. They say a lot about what you value and what you identify with, and they have a real effect on the way other people view you.”

You can learn more about the history and future of the sneaker industry by exploring Yellowbrick’s Sneaker Essentials online course.

I think the best way to cultivate an audience is to think about your brand. It’s kind of corny at this point, but I think you really do kind of think, “What are the things I care about?” or “ What’s my point of view, and how can I show that to people?”

Ask yourself, “What specific sneakers am I into? What brands am I obsessed with? Which ones do I not care about so much?” Be honest with yourself. Ask, “Which ones do I go to only for those looks?” If you’re not an Adidas guy, people are going to know that it’s not that authentic if a pair of Adidas sneakers show up on your feed and you’re talking about how obsessed you are with them. People on the internet remember things. If you didn’t like this shoe two weeks ago and now you love it, they’re going to call you out on it. And they’re going to want to know why.

I think it’s really important to just think about the things that you’re putting out there. Once you figure that out, you can decide how and when you want to put it out there. At that point, you can also decide who you want to interact with to get into different people’s feeds and hopefully make people pay attention to the things you have to say – things that are of value and what stories you want to tell.

The Ultimate Online Sneaker Education

It’s extremely important to have a website to have your work and portfolio housed within a digital space where people can easily access and look into who you are and what you do.

In terms of social media, there’s obviously a way to brand yourself. As creatives, we tell stories visually. We engage visually, so Instagram is like a dream come true for everyone and maybe even having a Facebook gallery or Twitter page is beneficial.

What Are Different Ways That We Can Craft That Story?

The storytelling process and the presentation itself is a form of art. With the boom of social media, I’ve been able to just build my own separate brand, ironically, with just the pictures that I post. I actually didn’t even know that I had an eye for photography or for real imagery until I started using social media. That was a fun exercise for me to better understand cropping, imagery, and lighting. I had to figure out how to keep information entertaining and discover different ways to capture and retell a story that’s been told over and over again.

I have multiple classes that I teach and occasional in-person workshops about different ways that we can brand ourselves. Someone who’s a jewelry designer, or a florist, or someone who’s a sneaker designer will all need to find ways to tell stories. But how can we do it in a way that’s engaging, interesting, and that’s worth telling? There’s enough content in the world, so what can we do and offer that’s actually different and special?

Using Social Media to Dive Into the Sneaker Industry

The best way to maintain, grow, and connect with your audience is through social media. I think social media is an extremely powerful platform that, when utilized correctly, can open up a lot of doors and can take you to places that you would have never dreamed that you could have gone otherwise.

The most important part of social media is that it’s social. It’s a two-way street. It’s a conversation that you’re trying to have with people. It’s a community that you’re trying to build.

I think a lot of people fall short in their social media strategy by trying to make it too much of a one-way street – too much of, “I’m talking at you and not talking with you.” You want to create a conversation with people.

To start, you have to figure out what your angle or approach is to the content. If your content is primarily video-based, obviously, you go straight to YouTube. But you also have to leverage Twitter and Instagram, Snapchat and Facebook, and all other social platforms to kind of funnel people back to your hub, which in this case would be YouTube.

If you’re going for more of a still image approach, obviously that is Instagram. That would be more of where you’re taking stylized pictures of sneakers that you picked up and your outfits – the things you would see on Instagram.

If you’re looking to do written words, especially now that Twitter has increased their character count to 280 and let you thread things up, you’ve got to go to Twitter. In that case, what you would be doing is posting maybe one or two images of sneakers but then providing some detailed text along with it.

With that being said, in order to really have a full approach to sneaker content in 2018, you basically have to have all of them. But what you should do, because it’s impossible–especially if you’re one person–to give 100% to all the platforms, is choose one that is going to be your main platform. Give most of your energy to that and then use the other platforms as complementary pieces to drive people to your main platform.

I think for me, when I look at social media or media as a whole, it might be best to have different accounts. You have a Twitter account. You have an Instagram account. You may have a YouTube account. You may write for a website. You might write for Medium or something like that.

If you’re continually updating all these things, you’re going to see which ones you’re getting the biggest reaction out of. That’s just natural. Some of these sneakerhead guys are really good at Instagram, but they’re not really good at Twitter. They’re two different platforms. You have to just try them out and see what you’re going to be best at. And chances are, you’re probably going to be better at one than the other.

You should also follow a variety of people. You can follow someone who just came into the game, but they are making a name for themselves. In contrast, you shouldn’t balance that with people who have been into this for a very long time and have a proven track record of producing good content, knowing what they’re talking about, and having good connections.

If you’re serious about getting a career or starting a career in the sneaker industry, you have to balance them both. You have to know what the 13-year-old kid is doing on YouTube but also maybe the 30-plus-year-old man who’s been doing this for 20 years. This way, you will get a nice, full scope of the culture and of the community.

My direct line of content is YouTube. That is the largest community of sneaker-related videos in the world. So from YouTube, I am able to get 12- and 13-year-old kids who are doing vlogs and showing what they copped from Supreme, the Yeezys they unbox, and so on and so forth.

I’m also able to get the people who are doing a bit more deep dives into the background and details of a sneaker, to people who give you your release dates and your info, and to people like us at Sole Collector who are doing different things. Where we’re giving you a sneaker-related game show, which is more of a scripted platform rather than a “vloggy,” social media-type thing. And following the right people on both platforms is very important to shaping your editorial perspective.

Personally, I’ve never done an unboxing. But the content, in terms of unboxings in the sneaker industry, that I really like to consume are people whose voice I really trust. Authenticity is really important when it comes to unboxing. You have WearTesters.com. You also have Nightwing, who really puts sneakers to the test, and he’s very unbiased. If it works for this, if it doesn’t work for this, he’s going to tell you.

In such a crowded space of unboxing, you really need to separate yourself through authenticity. There are tons of shoes that come through the Complex office nonstop. If we were giving the same amount of attention and the same amount of review time and not really pulling at the idiosyncrasies of what makes this sneaker better than the other or this sneaker better than the one we’ve reviewed last week, then no one’s really to take you seriously.

When I think “authenticity,” I think a straight review of who, what, where, when, and why, but also what this is best for and what this is not best for in terms of a sneaker. That’s going to reign supreme and is currently really separating people when it comes to unboxing on YouTube. But consistency is the thing that makes you stand apart, and basically, the audience taking your word as legitimate. That’s part of your online sneaker education right there.

You also must refrain from ever faking an audience. And always remember to be true to your fans. It’s a big deal. So, you could have the sneaker unboxing. Reviewing sneakers can be a really crowded area, but some people are doing it right. Consistency is key. And it may sound cliché, but your word is your bond when it comes to standing out in a space that’s already severely crowded.

If I were doing YouTube unboxings, I would always look for a different angle. If the review thing is not my thing, maybe it’s something about how these look with this style of jeans. Or I would get into putting an outfit together with these sneakers and then establish some sort of rating system.

But whatever it was, consistency and something that’s a little different than what’s happening in the unboxing space. It gives you a great opportunity to stand out. But really, your voice, your consistency, and how much your audience trusts your word reigns supreme when it comes to stuff like this.

Even with something as simple as an unboxing video, there are a lot of different factors you have to consider. How many other people already have these shoes at the moment that I’m unboxing them? How fast can I turn this video around? Can I be the first one on YouTube who has these shoes? Because if I wait too long to edit it, there are already 20 other people who got sent the shoes from the brand, and I’m not really adding anything new. Just a bit of sneaker education to pay attention to here: you’ve gotta be able to bring something new to the table.

As far as adding things that are new, you have to have your own perspective, your own voice, because just showing the product is not going to set yourself aside enough. If people care about who you are and they care about your opinions, then they’re going to be willing to listen to what you think about these shoes. Now, people don’t necessarily give their actual opinions in these videos because they might be scared of offending the brands or the person who sent in the sneakers gratis.

But that’s a different story. Basically, you have to present these things in a way that’s unique. You can’t just show the product. In my opinion, in unboxing videos, the product is the star. That’s kind of different from a lot of these sneaker YouTube videos, where the person is the star. In unboxings, it is all about the sneaker, too, so you have to make sure you have gratuitous sneaker-porn type shots in there.

You have to show the shoes. The shoes have to look good. If the lighting isn’t on point, if the shoe is out of focus, you’ve just got to start over. In making an unboxing video, the first thing I want to think about is, “What’s coming out soon that people really care about?” In any given week, there are a lot of shoes hitting retailers, and most of them aren’t going to be worth your time to create content around.

What’s the biggest show releasing that week? What’s the limited collaboration that there’s not a lot of content around just yet? The second question is, “Can I get that shoe? Who can I rely on to get that shoe?” A lot of times, the person at the brand may have samples. They may be able to send you a pair. But they might not be able to get you a pair quick enough.

Do I know a person at a retailer who can help out with that? Do I know a reseller who might have an early pair who’s willing to lend me them so I can shoot a video with them and maybe even send some business their way? Even if you don’t have access to a brand-new shoe that’s coming out, there’s still a lot to talk about with shoes that have been out or shoes that came out before the advent of a lot of this stuff.

Even if you think about the SEO aspect, what are people searching for? What’s the shoe that came out 20 years ago that there might not be a lot of information about it online? Can I make a video about that that will populate in Google search results? And people will come, and watch the video, and learn more about the shoes, learn more about me, maybe even subscribe to my YouTube channel.

What are the holes in that space that I can fill in that aren’t necessarily about new shoes, or what’s coming out next week, or what’s coming out two months from now? After that, it’s figuring out what exactly we want to tell about this shoe in a short time span. Two to three minutes is usually a good time to shoot for.

How much information can we get in there? How much is too much? And then also, we kind of try and make it a little bit funny because we feel like the whole unboxing thing, a lot of people might take it too seriously. So, we try to give people a reason to come back, and hopefully my brilliant humor shines through in that.

When it comes to trying to get into any industry, I believe that the biggest thing is to pay it forward. With the sneaker industry, I’m not going to sugarcoat it—you aren’t going to get in and immediately start making a six-figure income with your first job. However, you can learn from people who will help you to eventually make six figures in this industry if you’re passionate about sneakers. With the right determination and approach, you could literally will yourself into getting a job.

The good thing for people who are going to participate in sneaker education now is that the industry is a lot different than it used to be. When I was around, it was very cut and dry. Sneaker media wasn’t even what it is today. Nowadays, there are so many different aspects of it. I remember thinking of a marketing job as being stuffy and having to wear a suit. Now, though, when you’re in one of those jobs, you’re marketing the next Lebron shoe. Or you’re marketing the next Yeezy.

The industry has grown so much that now there are so many different jobs that you would previously have thought of as only corporate jobs but have now been created by sneakers. I’m not going to say that it’s an easy business to get into, but I will say that there are a lot more opportunities in the industry. In the present day, there are many more jobs available to get into the sneaker space than there were back when I was first starting out. You just have to know how to work your way in.

For anyone interested in finding their way into the sneaker industry, online sneaker education is an excellent starting point.

The internet has become the ultimate equalizer for everyone to respectfully look the same. At the start of hip-hop culture, however, originality was a major rule. For example, if you showed up wearing a pair of shoes that no one else had, you’d get the question, “Where’d you get those?” — which also happens to be the title of a book by Bobbito Garcia.

That phrase was important to the hip-hop experience because originality is a serious law and rule to live by. If someone asked you where you got your shoes, you were not going to tell them. They just had to wait to see what you came up with next. You had to go and hunt for yourself if you wanted something that somebody else had.

The Sneaker Industry: Then vs. Now

These days, you don’t speak only about technology and how the internet has made it the ultimate equalizer, where anyone can get anything they see, anywhere, at any time — especially with e-commerce platforms. Now, you also have a new business model where certain companies are publicly traded on the stock market. When you have shareholders of sneaker companies that are publicly traded on the stock market, they want to see activity that is going to lead to a return on investment.

This means that sneaker companies cannot just mysteriously drop sneakers, place them on a wall, then report some numbers a few months later. The shareholder wants full communication on what’s happening. So, now you have release dates. You have all these different things that go into sharing the news about the latest product.

Now when this product releases, not only do the shareholders and others who care about the ROI know, but the sneaker lovers also know. That’s because everything is now on a 24/7 news cycle of full reporting, giving you release dates, colorways, and the stores where the new sneaker is going to be sold.

This new way of doing things has totally shattered that rule of originality that folks like myself lived by for so long. So, in the early 2000s, with the popularity of sneakers, you had people starting to create their own websites, discussion groups, and forums online discussing their love of the shoes. Since this was uncharted territory, you had certain chat rooms and discussion forums online where there was a lot of common ground.

The Start of the Online Sneaker Education Movement

People shared an interest in talking about certain brands of sneakers. This led to a sort of flea market behind the scenes, where people would buy, sell, and trade them. People would report their thoughts about certain shoes and stories connected to them. This tightly tied into that whole sneaker community vibe.

The sneaker media really expanded when sneaker companies began to put money behind some of these companies to give them seeded product. This means they were getting product for free, which leaned them toward reporting more about one brand over another.

For example, when you’re a person like me — with 29 brands of sneakers in my closet — you looked at the sneaker media online, and after a while, in those media outlets and forums, you started only seeing reports, praise, and coverage for maybe two or three brands. This influence was not lost on the sportswear and sneaker companies themselves.

Quality Sneaker Education Is Hard To Come By

These manufacturers knew that they had to get in on the ground floor of gaining influence with the sneaker journalists. Some companies operated with little or no influence, so they remained purely impartial. Those companies were the ones that were actually able to give the consumer a real take on the good versus the bad — that this shoe does what it says it’s going to do, while that one makes claims it really can’t live up to — while addressing price, quality, and things like that.

Now, there really isn’t a lot of neutrality in reporting because of the corporate influence on the sneaker journalist. So, because their sites are now owned by major corporations, a lot of sneaker journalists have to march to a corporate policy and watch what they say about certain sneaker companies because there are ad dollars at stake.

There are business deals at stake. There are still some companies that will give you a true consumer reporting experience about the sneaker and its related products. But as a whole, the sneaker media outlets have become tainted over time.

Improving the Sneaker Industry

I think the entire industry needs to operate with a little more impartiality and honesty. There are still outlets out there that can give you that. You’ll have a true picture of what the product is that’s representing the industry these days.

I think internet culture has been super important to the way sneaker culture has grown and changed. In the earliest days, you had message boards like NikeTalk. You had the earliest version of the SLAM website, which was updated maybe once a day. It is really funny to think about how it would get just one update a day that included all the new information.

Now everything changes all the time. I think on one hand, it’s easier than ever to keep up and be on that leading edge. You’re going to get your push notifications not only from the actual sneaker companies through the SNKRS app or Adidas CONFIRMED app, but you’re probably also going to get pushes from Complex, Highsnobiety, and SLAM — often about the same exact show, probably with a very similar story.

I mean, look, we all have jobs to do. I think we do them well. At some point, a sneaker is a sneaker, and whatever you read about is going to tell you pretty much the same thing. So as much as all of us are editors, writers, and whatever else, you kind of have to be your own editor of this stuff. Maybe I’m shooting myself in the foot here, but you don’t have to follow everybody who talks about sneakers because you’re going to hear a lot of the same things from them all.

Finding Legit Online Sneaker Education

If you’re getting overwhelmed by the information, photos, or whatever else, you can can adjust that. You know the funny thing is that, in the earliest days of the sneaker internet, there wasn’t enough. Everyone was asking, “Who’s the plug?”, “Who’s giving us the best information?”, “Where can I find the photo of this sample Air Jordan that’s floating around?”, and “Where can I find a better photo of it?”

In many cases, the answer was nowhere because you would have a shot of a shoe on a conference table that someone smuggled out of headquarters, and that was all. Now there’s almost too much. Nike or adidas will do their promo push on a shoe. Minutes or seconds later, everyone in the sneaker internet, whether a publication or a person, will push out that same information.

So, it might seem like a flood, but it’s a flood of the same things. If you cut it down to specifically what the product is, there’s probably a lot less out there than you think. It’s just a matter of finding the right places to get it.

The good thing is there are a lot of answers to that. There is no wrong place to get it, unless you’re looking at sites selling fakes, which I don’t really advise. For legit info, feel free to pick amongst all of us. Pick amongst everyone. Find the one that suits you best, and you really can’t go wrong.